It was a privilege to host artist
Makoto Fujimura here at Crossway last week during his Chicago tour of sorts. For the first time ever, Crossway transformed into an exhibit hall to feature Fujimura and
The Four Holy Gospels exhibit on Friday evening, January 21, 2011.
The Four Holy Gospels incorporates five large-scale paintings, including the frontispiece, “Charis-Kairos (The Tears of Christ)” and four opening plates (one for each of the Gospels); plus eighty-nine initial letters (each painted, and many adorned with gold flecks and foil) specifically created for each chapter opening; as well as more than seventy individually-painted reflections and embellishments complementing the Gospels.
Fujimura was introduced by Lane Dennis (President of Crossway) and Joel Sheesley (Professor of Painting, Drawing, and Print Making at Wheaton College), with closing remarks from John Walford (Professor of Art History at Wheaton College) and Lane Dennis.
“The purpose in creating the Four Holy Gospels is first and foremost to give praise and glory to the triune God—Father, Son and Holy Spirit—who is the sole source of creativity, both of the four gospels and of all the eternal world transforming gospel itself,” explains Lane Dennis. “Thus it is fitting to create the highest level of art to adorn, compliment, and illuminate the text of the four gospels as an act of awe, reverence, and worship. And so we offer this up to the Lord with that understanding.”
The exhibit featured at Crossway is largely unprecedented and is deeply rooted in the legacy of ancient art in the Western world as well as eastern artistic aesthetics. The art of illuminated gospels dates back 1500 years to the Canterbury Gospels of 597 A.D. The last time a single artist illuminated all four gospels was nearly 500 years ago by a Ukranian scribe.
The release of The Four Holy Gospels marks the 400th anniversary of the publication of the King James Version Bible. “It is this timeless legacy that is at the heart of the English speaking church and at the heart of the English speaking culture,” explains Lane Dennis. “And this is the legacy we seek to carry forward in the ESV Bible. The Four Holy Gospels also seeks to honor that legacy.”
Fujimura explained the significance of his project and the art:
“This experience has been absolutely healing for me, to see these works here and to have journeyed on this real pilgrimage this past year and a half, and to see it come to fruition on the pages of the Bible . . . I still can’t believe we are doing this. Not only this crazy idea of a contemporary artist illuminating an ancient text, but one that is multicultural, using Japanese methods. There is no precedent for this in recent times. As my pastor Tim Keller said, ‘It’s not the artist illuminating the text, it’s the text illuminating the artist.’ Which is a beautiful paradigm for me because that’s exactly what happened to me as I was working on these pages. It was literally a pilgrimage. I hope these illuminations will help you to re-examine, to experience these texts, the word of God in a new way.”
“I am deeply indebted to Mako for his work and the partnership together,” Dennis said in closing.
The Four Holy Gospels is available in both a leather-bound and a cloth-bound edition, each adorned with dramatic red and gold foil flourishes representing the blood of Christ poured out on the cross (red) and the glory of God revealed in the four Gospels (gold).
Recent Comments